Egypt – Lady Book Dragon

Nephthys by Rachel Louise Driscoll

Blurb

Quiet and reserved, Clemmie is happy in the background. But although her parents may overlook her talents, her ability to read hieroglyphs makes her invaluable at the Egyptian relic parties which have made her father the toast of Victorian society.

But at one such party, the words Clemmie interprets from an unusual amulet strike fear into her heart. The beautiful and dangerous glyphs she holds in her hands will change her life forever.

Five years later, Clemmie arrives in Egypt on a mission to save what remains of her family. The childhood game she used to play about the immortal sisters, Isis and Nephthys, has taken on a devastating resonance and it is only by following Nephthys’ story that she can undo the mistakes of the past. On her journey up the Nile she will meet unexpected allies and enemies and, along with long-buried secrets and betrayals, Clemmie will be forced to step into the light.

Review

I was really excited to read this book and had it preordered for quite a while and I read it almost as soon as it arrived in my parcel box which is unusual for me.

I will be honest I did not gel well with this book. I really tried and there were parts that I enjoyed but I did struggle with the writing style and some of the characters. One of the elements I did enjoy was that the main character Clemmie was an asthmatic. As a fellow asthmatic I found it really interesting to see how asthma was treated in the Victorian period. It really made me realise how dangerous asthma was in that period as there really wasn’t any drugs to help if they had a bad attack.

The other element I loved was the descriptions of Egypt and how the Victorians visited the different locations. I also enjoyed the snippets of Egyptian myths that were included in the book and I would have loved to have had more of those and the descriptions of Egypt. The showing of how Egypt was plundered by tourists and so much history was either destroyed or taken was also good to see that it wasn’t covered up or skipped over but was made part of the story.

I did struggle with how much this book jumped around at times from the present to past and sometimes to dreams. I just felt like it detracted from the storyline and I found it slowed the pacing down quite a bit. I also struggled with Clemmie. Clemmie was a very frustrating character to me. At times she was just too naive and childish and although I know the Victorians were very superstitious Clemmie was broaching on the ridiculous.

This was a take it or leave it book for me, I did enjoy the scenes set in Egypt but I found the flashbacks all too frequent and I just wanted the story to get a move on and back to Egypt. I give this book 3 out of 5 Dragons.

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About the author

Rachel Louise Driscoll won the Curtis Brown Creative scholarship in 2020. Originally from the South West of England, she lives in the North East with her husband and cat, Cleopatra. Nephthys is her debut novel. She was inspired to write Clemmie’s story by an experience she had at a local museum as a child where she was allowed to hold a mummified ancient Egyptian cat. Enjoying the hours of avid research required, Rachel even wrote some of the book wearing a corset in order to capture Clemmie’s experience more accurately!

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The Woman Who Would Be King: Hatshepsut’s Rise to Power in Ancient Egypt by Kara Cooney

Blurb

An engrossing biography of the longest-reigning female pharaoh in Ancient Egypt and the story of her audacious rise to power in a man’s world.

Hatshepsut, the daughter of a general who took Egypt’s throne without status as a king’s son and a mother with ties to the previous dynasty, was born into a privileged position of the royal household. Married to her brother, she was expected to bear the sons who would legitimize the reign of her father’s family. Her failure to produce a male heir was ultimately the twist of fate that paved the way for her inconceivable rule as a cross-dressing king. At just twenty, Hatshepsut ascended to the rank of king in an elaborate coronation ceremony that set the tone for her spectacular twenty-two year reign as co-regent with Thutmose III, the infant king whose mother Hatshepsut out-maneuvered for a seat on the throne. Hatshepsut was a master strategist, cloaking her political power plays with the veil of piety and sexual expression. Just as women today face obstacles from a society that equates authority with masculinity, Hatshepsut had to shrewdly operate the levers of a patriarchal system to emerge as Egypt’s second female pharaoh.

Hatshepsut had successfully negotiated a path from the royal nursery to the very pinnacle of authority, and her reign saw one of Ancient Egypt’s most prolific building periods. Scholars have long speculated as to why her images were destroyed within a few decades of her death, all but erasing evidence of her rule. Constructing a rich narrative history using the artifacts that remain, noted Egyptologist Kara Cooney offers a remarkable interpretation of how Hatshepsut rapidly but methodically consolidated power—and why she fell from public favor just as quickly. The Woman Who Would Be King traces the unconventional life of an almost-forgotten pharaoh and explores our complicated reactions to women in power.

Review

I have been wanting to read this book for ages as I have always been fascinated by Ancient Egypt and have always been interested in Hatshepsut. My wonderful husband bought me the book for Christmas so I decided it would be my nonfiction read of February.

Hatshepsut was an amazing woman and one who was unrivalled for hundreds of years but as usual she was also a woman who was driven out of history. Due to the destruction of her statues, monuments and building projects a lot of her history is lost so Cooney has had to do some educated guesswork about certain aspects of Hatshepsut’s life. Cooney explains her reasoning for the guesswork and it is clear that it is all backed by what she knows about the period in history and also by the evidence of Hatshepsut’s life that does thankfully still survive.

Cooney’s writing is packed full of information but it is still an easy read that doesn’t make you feel bogged down with information. It almost reads in places like historical fiction but it isn’t. The only criticism that I do have and it did start to drive me a little crazy was the repetition. Cooney would tell you a fact then repeat it either on the next page or a few pages along and it really wasn’t necessary. I started to find myself sighing and thinking why are you telling me this again when you have literally just told me, I don’t need to be told again but with slightly different wording. I will definitely read more books by Cooney and I give this book 4 out of 5 Dragons.

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About the author

Dr. Kathlyn M. Cooney aka Dr. Kara Cooney is an Egyptologist and Assistant Professor of Egyptian Art and Architecture at UCLA. She was awarded a PhD in 2002 by Johns Hopkins University for Near Eastern Studies. She was part of an archaeological team excavating at the artisans’ village of Deir el Medina in Egypt, as well as Dahshur and various tombs at Thebes.

In 2002 she was Kress Fellow at the National Gallery of Art and worked on the preparation of the Cairo Museum exhibition Quest for Immortality: Treasures of Ancient Egypt. She was a member of the teaching staff at Stanford and Howard University. In 2005, she acted as fellow curator for Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Raised in Houston, she obtained her B.A. from the University of Texas.

She worked on two Discovery Channel documentary series: Out of Egypt, first aired in August 2009, and Egypt’s Lost Queen, which also featured Dr. Zahi Hawass.